Satanath Records & Grimm Distribution Label Spotlight

In our second spotlight it’s time to amplify the emanations of another label doing some great shit under many people’s radars, and why not make it two this time: Lethal subterranean killers Satanath Records and their partner in malevolent machinations, Grimm Distribution.

Satanath is based in Russia while Grimm Distribution is in Belarus; and although they both drag some truly unique and varied sounds up from the deep underground Grimm has the far more eclectic of the two rosters, working way outside the spectrum of black metal. In keeping with the general theme of this site we’ll stick to the BM releases, however; for the more open minded among you I highly recommend checking out the rest of their artists. You’ll unearth some great, unique and, at the very least, interesting stuff.

First up, Satanath Records. They’ve been doing their thing since 2012 and have put out close to 200 albums. It’s owned and ran by Aleksey K who has his own dark space ambient/electronic project entitled Satanath (that you can check out here) and says of the label “All metal genres welcome in our satanic horror house“. So, without further ado, let us enter and bear witness to the blackened nightmares that await within the blood-drenched halls of the house of Satanath.


Artist: Inhibitions

Year: 2018

Kicking off with a quick glimpse of some forthcoming Hellenic black metal, Inhibitions have been drawing down the night since 2008 and ‘La Danse Macabre’ marks their third full-length ritual manifestation. One track is available for free download/streaming on Bandcamp now: ‘The Calling’ starts off with some severely skin-crawling shit before launching into a lurching, gothic-piano-twinkling black metal blast. There’s something arcane and hidden about this particular track, an unspeakable evil lurking just out of view that makes you doubt your sanity and fills you with fear. So heed the call and join the dance; full album out January 13th next year and if the rest of it matches up to this, it could be a good one.


Artist: Enoquian

Year: 2017

Next up with just the right level of black destruction (and a sweet name and logo to boot), are the mysterious Argentinian demons Enoquian. They formed in 2015 and have no prior releases to their name bar this debut album ‘Llamas de Gloria Primera’. Which explains why they’ve never crossed my path before now.

A brief moment of chilling ambience sets the tone before the fury kicks in. This is raw unbridled black metal, stripped back and caustic. Some thrashy or death influences creep in through a side window to fuck up your shit when you least expect it, but overall throughout the album they stick to the same formula: a short ambient intro, then unleash the hounds of hell. Which, surprisingly and to their credit, doesn’t get old. There’s enough variety in the tunes to keep each song fresh, and some of the introductions create a genuine horror vibe that only enhances the grimness that follows.

Good throat-shredding vocals cap it all off and the production is kept just on the right side of kvlt; although I’d love to hear what these tracks sound like with an absolutely crushing production. There’s some huge riffs in there with perfect skittering drums behind them that would just annihilate your cranium with a more weighty sound; they’re good as it is, I just can’t help but wonder.

Very pleased I heard this, it’s a great debut and I get the inkling their next one will be fucking incredible. Well worth a listen. 


Artist: Garhelenth

Year: 2017

Dropping on 14th December is the second full-length from Armenian true black metal duo Garhelenth, ‘About Pessimistic Elements & Rebirth of Tragedy’. One track is available for free download on Bandcamp now, the irrepressible ‘To Impersonal Mankind’; while another militaristic stomper ‘Self Humiliation’ is available for your consumption on YouTube here. This is exactly what it says on the tin – black metal with no bells or whistles; guitarist/vocalist and main man Hilnorgoth is vehemently against letting anything pollute the essence of his creation. Centred around mid-paced repeating hypnotic riffs and a rotten infectious darkness, this wishes for nothing more than your slow death. Be warned. 


Artist: Hak-Ed Damm

Year: 2017

Hak-Ed Damm Ist Fucking Krieg. Formed in Canada in 2007 these commandos base their attack on the horrors of WW2’s historical fact, and the result is mightily fucking impressive. 

Throughout second full-length ‘Holocaust Over Dresden’ the assault only lets up on the suitably sombre and forlorn ‘Auschwitz-Birkenau’; every single other track is pure war punishment that would give Marduk a run for their money (although they do have a greater grasp of melody than that comparison may suggest). Vocalist Winterthrone‘s shrieks rip through the mix and special mention must be given to Zaïtsev‘s frenzied performance on the fretless bass, easily matching the ferocity dished out by skinsman Silencer and the twin guitar weapons of Exu and Amok.

What’s my favourite track? Couldn’t possibly tell you. They’re all fantastic. Give this a spin next time you feel like some sheer, relentless carnage; you will not regret it.


Artist: Solfernus

Year: 2017

Czech blackthrash war incoming. Solfernus have been unleashing a hate torrent for fifteen years strong, so their assault is honed razor sharp on only the second full-length in their artillery, ‘Neoantichrist’. The four man army counts two members of Root amongst their ranks but take few musical cues from the Czech black metal institution; this has far more thrash pumping through its veins. 

That’s not the only influence however as various other strains of blackness and metal mayhem are stirred through their sonic brew, but regardless, it rules. From the muscular shred-fest of ‘Between Two Deaths’ to the stirring anthemic title track their collective experience shines through, grabbing you by the throat and forcing you to march to the beat of their blasphemic drums as Khaablus spits his vocal venom. They still achieve an admirably shadowed atmosphere (like on the crawling, winding ‘Mistresserpent’) but overall it’s a more direct in-your-face sound that works well. In the mood for something to stir the blood? Check these guys out.


Artist: Tyakrah

Year: 2017

I’ve already mentioned German epic BM duo Tyakrah on these pages; this is only to serve as a reminder to seek out their debut album ‘Wintergedanken’ if you haven’t as yet. Last time I said it was “…a wonderful and chilling ode to the cold season. Solid compositions with some seriously great raw melodic leads, interspersed with moving atmospheric and ambient passages” and my opinion hasn’t changed; this is probably ever-so-slightly more rough than the average Epic BM fan will be used to, but the use of melody and guitar work is far above the average. 

Refreshingly, tracks like ‘Geforne Tränen’ and ‘Fährten im Schnee’ forge a great wintry atmosphere without the use of overdone synths or minutes of drawn-out wind noises throughout, almost solely creating the mood through the guitars, drums and vocals (although there are still the great aforementioned ambient/melodic interludes included). Highly recommended, and keep an eye out for the fantastic ‘Erstarrende Nacht’, it’s an absolute stormer. Can’t wait to see what these guys do next.


And now to Grimm Distribution. Operating out of Belarus since 2011, they also have a multitude of excellent releases with which to pleasure your ear holes; and they get a lot stranger than Satanath. Here’s a few of their black metal offerings.

Artist: Enoid

Year: 2017

Kvlt Swiss misanthropist Enoid released his last album in 2016 on Satanath Records, twenty years after the project’s unholy formation in 1996 when it was originally known as Organ Trails. This year sole member Bornyhake honours the past by re-releasing the first two demos summoned under the name Enoid, ‘Livssyklus & Dodssyklus’, from 2005 and 2006 respectively. 

Now, you may be thinking this is just an exercise in nostalgia. Guess what: you would be wrong, bucko. From what we can hear of the fully remastered material thus far it still sounds absolutely vital and could have easily been released yesterday. The passion inherent within teaser track ‘Edicius’ is palpable as it burns with sinister intent. Excellent grim vocals and an extremely satisfying guitar tone are the icing on the cake as the song slowly unfurls black wings dripping in contempt; the original demos are available on the official Enoid bandcamp here so you can hear both the sound update and venom of the entire source material for yourself. 

Great stuff, the false need not enter here. Pre-orders up now for a December 16th release. Oh and Bornyhake has finally assembled a live band; so the whole, unfettered pestilential darkness of Enoid shall finally descend over the Earth. 


Artist: Evil Nerfal

Year: 2018


So says the descriptor on Columbian melodic orthodox duo Evil Nerfal‘s Facebook page. Which is a fair warning of what you’re in for on ‘En Las Fauces Del Demonio (Taedium Daemoni)’, the teaser track from only their second album in their ten year existence, ‘Bellum Est Pater Omnium’. From the raw militaristic intro to the melodic twists and turns, these demons have never cared what you think and don’t seem keen to start now. A solid track, full of promise and misanthropy. Full album drops January 9th next year.


Artist: Lucifer’s Dungeon

Year: 2017

Menacing tones echoing in cryptal darkness. Faint remnants of screams, the stone floor is wet and slick beneath your feet. The deeper you go, the hotter it gets, your dread increasing with every step. Then before you know it… You’re in Lucifer’s Dungeon.

That’s an apt, if not slightly cheesy decription of the introductory track to ‘The Dark Army Raises’, the debut full-length from impious Russian horde Lucifer’s Dungeon. What lies within the dungeon? Fourteen tracks of raw, mostly mid-paced melodic black metal that’s heavy on the atmosphere, interspersed with some great dark ambient/dungeon synth style interludes. Released back in May and with a gestation period of around nine years (!), it’s an intriguing album with an old-school feel that’s sure to hit the spot with many cult aficionados.

The key here really is the vibe; the chilling air of horror and/or misery in the dark ambient sections is top notch and the black metal elements pleasingly choose to match that instead of breaking out into breakneck blasting; which shows an excellent coherent vision for an album that’s oddly made up of so many small, seperate yet cohesive parts, and works very well in its favour. 

Should you give this a try? Yes. There’s nothing overly technical here, with no blistering speed or lush melodicism; what you do get however is a commendably solid album with a raw charm all it’s own. They also have a new full-length dubbed ‘Antihuman’ coming March 2018 in celebration of their ten year anniversary, so if you dig this, get keen to return for more subterranean delights.


Artist: Freiheit

Year: 2017

Some Russian black/death. Diabolical trio Freiheit (“Freedom”) unleashed their debut full-length ‘Безумие. Ненависть. Смерть’ about six months ago now, and it’s an extraordinarily fun concoction. 

A riff-propelled beast that borrows from many sources; one minute it reminds you of the early days of Finland’s Ajattara and the next it’s bludgeoning your bleeding and broken frame with some pure death metal, then before you know it you’re back banging your head to some black ‘n roll influenced rocking vibe that has you by the balls (or respective sensitive areas). The variety in the virulently violent assault is compelling and engaging, they know how to hold your attention and distill their sound down to its most potent form. 

Despite the myriad of influences apparent in their sound there’s no bullshit here; every note is carefully calculated for maximum power and that’s exactly what is delivered. They also recently played some of their songs at a local children’s orphanage, apparently to great success. Which rules. Lovely fellas that deserve your attention. Total support.


Artist: Cryostasium

Year: 2017

And as we come to the end of this Grimm expedition, one final salvo. US one-man dark ambient BM artist Cody Mallard conjoured his latest EP ‘Starbound’ a month ago; his thirty-third (!) release under the Cryostasium moniker since the project’s birth in 2002. Off the top of my head I don’t believe I’ve heard a single one, and you might not have either. But hey, what better place to start than here?

I can tell you right now I’ll be going back and checking out more of his work, as this surprised me immensely. Oppressive, cold riffs are thrown in a blender and slither askew over psychedelic and dark ambient elements. The vocals vary between the faint demonic howls and haunted synthetic la-la-la’s of a man gone insane, trapped far away in a hell of his own creation. There’s recurrent use of bells which only serves to fuel the odd atmosphere. Occasionally (and fittingly as they did release a split together) the songs hit almost Xasthur-like levels of dysphoria; tracks like ‘Magnetic’ or EP closer ‘Adventurine’ sometimes call to mind what Malefic might have produced if he was rocking knees-up in a corner singing to himself instead of just mentally tortured.

Featuring great Luciana Nedelea artwork that perfectly illustrates the warped, otherworldly sounds within, this may just be my pick of the entire bunch. Quality stuff, I can’t wait to head back over the rest of his discography; and it’s a fitting end to this spotlight. Hails.


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